Piped Dreams explores imbued objects and notions of nostalgia and desire. Objects can stir memories and are used mnemonically to create, store and retrieve a sense of past. My work is a response to aspects of my experience, focusing on the personal connection to these objects through childhood memory, identity and contemporary collecting practices.
As a child I was obsessed with ornaments and anything frilly and pink, cake decorating was a particular focus and I longed for the most decorative cake on my birthday each year. I wish to investigate how these objects and decorative processes have a capacity to evoke memories and aid the return to childhood reverie in adult life. I am interested in exploring decorative practices traditionally performed by women as the main construction method for my practice. Currently the environments and structures I create utilise cake-piping techniques with porcelain, allowing my imaginings and reveries to take shape. These sculptures are teetering on the brink of disaster, often burdened by the weight of their own structure or heavy with gold lustre drips.